Wednesday, October 18, 2017

College Advice to consider (from the NYT):

College Advice I Wish I’d Taken
Susan Shapiro
ON CAMPUS OCT. 17, 2017



I taught my first class at Columbia University’s M.F.A. program this month, and even though I’ve been teaching college writing since 1993, I initially felt a little intimidated by the school’s regal campus. That, and regretful.
I enjoyed going to college at the University of Michigan, an hour from home, but my secret humiliation is: I was the type of mediocre student I now disdain. As a freshman, I cared about my friends, my boyfriend and my poetry. Or, I cared about what my boyfriend thought of my friends, what my friends thought of him, and what they thought of my poetry about him. Here’s what I wish I’d known and done differently:
A’S ARE COOL AND COME WITH PERKS As a student, I saw myself as anti-establishment, and I hated tests; I barely maintained a B average. I thought only nerds spent weekends in the library studying. Recently I learned that my niece Dara, a sophomore at New York University with a 3.7 G.P.A. (and a boyfriend), was offered a week of travel in Buenos Aires as part of her honors seminar. I was retroactively envious to learn that a 3.5 G.P.A. or higher at many schools qualifies you for free trips, scholarships, grants, awards, private parties and top internships. At 20, I was too busy freaking out when said boyfriend disappeared (after sleeping with one of said friends). Students certainly don’t need to strive obsessively for perfection, but I should have prioritized grades, not guys.
SHOW UP AND SPEAK UP If a class was boring or it snowed, I’d skip. My rationale was that nobody in the 300-person lecture hall would notice and I could get notes later. Attendance barely counted. When I went, I’d sit quietly in back. Yet as a teacher, I see that the students who come weekly, sit in front, and ask and answer questions get higher grades and frankly, preferential treatment. After 15 weeks, I barely know the absentees or anyone Snapchatting the term away on their iPhones. It’s not just that these students flush $300 down the toilet every time they miss my class; participating can actually lead to payoffs. I reward those who try harder with recommendations, references, professional contacts and encouragement.
CLASS CONNECTIONS CAN LAUNCH YOUR CAREER As an undergrad, I rarely visited my professors during office hours. I didn’t want to annoy teachers with what I considered triviality. Besides, I thought I knew everything already. In graduate school, on the other hand, I went to the readings of a professor I admired. Eventually, I’d go to his office just to vent. Once, after I complained about a dead-end job, he recommended me for a position at The New Yorker, jump-starting my career.
But it’s not just your professors who will help your life trajectory. Several classmates of mine from graduate school wound up working as editors at other publications, and they have since hired me for freelance work. Years later, I’ve helped students and colleagues where I teach, at the New School and New York University, land jobs, get published and meet with editors and agents.
PROFESSORS ARE PEOPLE, TOO As a teacher, I’ve kept all the letters, cards and poems of gratitude I’ve been sent. It’s nice to be appreciated, and it makes a lasting impression. After one of my intro sessions, a freshman from Idaho blurted out: “Awesome class! It’s like you stuck my fingers in a light socket.” I laughed and invited her to speed walk with me around the local park — an activity I take part in nightly as a sort of active office hours — and we workshopped ideas that led to her first book. And when a student confided she was dying to take another class with me but had lost her financial aid, I let her audit. In retrospect, I should have been more open with the instructors I admired.
FIND YOUR PROFESSORS ON SOCIAL MEDIA I answer all emails, and while I may not accept all friend requests, I respond to students who follow me on Facebook, Twitter and Instagram. More important, social media is where I post about panels, job openings and freelance work. Checking out students’ social media feeds also allows me to see new sides of their personalities. Naked beer pong photos may not impress, but witty posts and original ideas do. Several students have developed book projects from their blogs and Instagram pages, and I promote their work, charities and events on my own social media feeds. You never know if the college president or your professor might retweet or repost your work.
YOU CAN SOCIALIZE BETTER SOBER Drinking and smoking eased my social anxiety and seemed like fun. Until I couldn’t stop. Getting clean — smoke-toke-alcohol-free — led to a huge upswing in my life. Instead of partying, I’d do movie nights, dancing, yoga, aerobics classes and readings with friends and dates. I was surprised to see that my work greatly improved, as did my relationships. I know many students who get into big trouble when they are under the influence, and I still worry about what I missed, wasting so much time wasted.
YOU’RE NOT STUCK Don’t be afraid to ask for emotional support. It was a graduate school professor who recommended my first therapist to me: She was a fantastic listener who charged on a sliding scale. Therapy can be cheap, fun and easily available — not to mention lifesaving.
And if it turns out you’re in the wrong school, don’t worry. A third of college students transfer before graduating. If you’re unhappy or not thriving at your school, take the long view. I couldn’t have made it in Manhattan as an undergraduate, but four years later, graduate school at New York University offered me a chance to live in my dream city. It took me only three decades of work to make it to the Ivy League — to teach one class, at least.
Susan Shapiro (@Susanshapironet), a writing professor at the New School, is the author of “Five Men Who Broke My Heart,” and the forthcoming “The Byline Bible.”
Follow The New York Times Opinion section on Facebook and Twitter (@NYTopinion), and sign up for the Opinion Today newsletter. 


Tuesday, October 17, 2017

Coca-Cola Regal Films Program DEADLINE IS WEDNESDAY at 11:59 pm EASTERN

The deadline to apply to the Coca-Cola Regal Films program is THIS WEDNESDAY at 11:59 pm EASTERN. This is an amazing opportunity to receive a $15K grant to produce the piece on campus and get professional experience working with Coke, Regal and RED. The grand prize winning spot will get aired in Regal Theaters nationwide and receive a RED Digital Camera package.

Hurry submit your applications!

Here is what you need to know:

Application Trends:
  • The program is NOT looking for commercials.
  • Make sure Coca-Cola and Regal Branding is authentically integrated and both equally showcased in your script.
  • Make sure your spot is relevant to the teen target 16-24
  • Viewers should “crave” coke and popcorn
  • Avoid scenes that depict empty theatres or empty product. No slurping or unappetizing eating.
  • The competition receives a ton of “Date Night” concepts so push yourself to go beyond that.


Join the program mailing list - http://bit.ly/CCRF_MailingList

Monday, October 16, 2017

Info on Quiz #2 that won't be included

Good morning,

Because we didn't get to the section on the review sheet titled "Communication: Mass and Other Forms," that material will not be covered on the second quiz.

We'll pick up with that material after the exam.

(If you studied it anyway, well, then, you've got a head start on quiz #3).

Jack

How to make a countdown Timer



To add a countdown timer, you'll need to add a Clock, a sound, and a label in the Designer.

Make sure you keep the timing interval at 1000, change the text of the label to 20, and upload a sound and connect it to a source in the sound component.

This timer will work for any app made with App Inventor.

Jack

Wednesday, October 11, 2017

Sample Budget

Here's a link to a sample budget.

Again, use this as a guideline.

Your numbers should be slightly different, but it's good to have some ballpark figures.

https://drive.google.com/open?id=0B2Dv4MQMdbN4UVJfc3pGWTBzVjg

Sample Scipt

Here's the opening scene from the 1984 film "Terminator."

I use it here because it's one page and there's no dialog, so it probably won't be much different than what you may produce.

You'll have to excuse the quality as it's a 1984 script (no such thing as Word or Google Docs then).

Here's the link:

https://drive.google.com/file/d/0B2Dv4MQMdbN4b0VBMUt1UzFyeXM/view?usp=sharing

Tuesday, October 10, 2017

The 210 TV Markets in the United States

Anyone in an Intro to Media Industries' course should know about the TV Markets, called "designated market areas," or DMAs.

Please examine the 210 DMAs and familiarize yourself with the top 10 markets.

You should know the top 5 by heart:

New York
Los Angeles
Chicago
Philadelphia
Dallas-Ft. Worth

You might also want to scan the list to find your home market.

As a general rule, the closer you are to the top, the higher your salary in local TV (news, sports, weather, production, commercials, syndication revenue, etc.)

Nielsen Media Research Designated Market Areas (DMAs) for 2017-2018 TV Year:

https://www.tvb.org/Portals/0/media/file/DMA/2017_2018_DMA_Ranks.pdf

Communication: Mass and Other Forms

Communication:

Mass and Other Forms
___________________________________________________________________
THE COMMUNICATION PROCESS

At a general level, communication events involve the following elements:

. a source
. a process of encoding
. a message
. a channel
. a process of decoding
. a receiver
. the potential for feedback
. the chance of noise

Transmitting the Message

The Source. The source, or sender, initiates the communication process by having a thought or an idea that he or she wishes to transmit to some other entity. Sources can be individuals, groups, or even organizations.

Encoding the message. Encoding includes all the activities that a source goes through to translate thoughts and ideas into a form that can be perceived by the senses. It can take place one or more times in any given communication event. In a face to face conversation, the speaker encodes thoughts into words; if a telephone is used, subsequently encodes sound waves into electrical energy

Message. The message is the actual physical product that the source encodes which may range from the short, simple and inexpensive to the long, complex and costly. Humans usually have a large number and wide range of messages at their disposal that they can choose to send. Messages can be directed to an individual or to millions.

Channels. Channels refer to the ways in which the message travels to the receiver. These include sound waves, light waves, air currents, and touch. Some messages may go through multiple channels.

Decoding the message. Decoding the message is the opposite of the encoding process. It's the process by which a message is translated into a form the receiver can understand. Both people and machines can be message decoders. Some messages can involve many decoding stages.

Receiver. The receiver is the target of the message. The target can be an individual, a group, or an anonymous collection of people. Most people receive far more messages than they send. Receivers can be targeted for a message (a phone call) or they can self-select themselves (choosing which movie to watch). Receivers and senders can be in immediate contact (talking on the phone) or they can be separated by space and time (reading a Shakespearean play).

Feedback. Feedback refers to responses from the receiver that shape and alter later messages from the source. Feedback represents the reversal of the communication flow (sender becomes receiver). It answers the source’s unstated question, “How am I doing?”
. positive feedback: encourages current communication message or pattern
. negative feedback: tries to change the communication or even terminate it
. feedback can be immediate or delayed

Noise. Noise is anything that interferes with the delivery of the message.

. Semantic noise occurs when people have different meanings for different words

. Mechanical noise occurs when there is a problem with a machine being used for
communication

. Environmental noise occurs when noise external to the communication process
interferes with communication

. As noise increases, message fidelity (how closely the message sent resembles the
message received) degrades

. The more immediate and better the feedback, the more chance a source has to reduce
or eliminate noise interference with the message


COMMUNICATION SETTINGS

Interpersonal Communication

Interpersonal communication involves one person (or group) interacting with another person (or group) without the aid of a mechanical device. The source and receiver are in the immediate physical presence of one another. Characteristics of interpersonal communication include the following:

. source and receiver can be individuals or groups
. encoding is usually a one-step process
. a variety of channels are usually available for use
. messages are relatively difficult for receiver to terminate
. produced at little or no expense
. messages can be private or public
. message can pinpoint highly specific targets
. decoding is usually a one-step process
. feedback is immediate
. noise can be semantic or environmental

Machine-Assisted Interpersonal Communication

Machine-assisted interpersonal communication involves one or more people communicating by means of a mechanical device or devices with one or more receivers. It combines characteristics of interpersonal and mass communication situations and blurs the line between the two types of communication, especially when involving the Internet and World Wide Web. Machines can give communication permanence and/or extend its range. The source and receiver can be separated by time and space. A great deal of modern communication falls into this category. Characteristics of machine-assisted interpersonal communication include the following:

. source may be an individual or group; may or may not be easy to identify
. source may or may not have first-hand knowledge of the receiver
. the encoding process can range from the simple to the complex
. Two encoding stages:

(1) source translates his/her thoughts into words or other symbols
(2) machine encodes the message for transmission or storage

. channel options are more restricted than interpersonal communication
. machine-assisted messages have at least one machine between source and receiver
. message customizability varies; messages can be private or public
. messages relatively inexpensive to send
. decoding requires one or more stages depending upon the encoding process
. receiver may be an individual or group; may or may not be easy to identify
. receivers can be selected by the sender for a message or they can self-select themselves
. feedback can be immediate or delayed; may be difficult or limited to one channel
. noise can be semantic, environmental, and mechanical
. use of mechanical-assisted interpersonal communication will continue to grow

Mass Communication (What we emphasize in this course).

Mass Communication is the process by which a complex organization produces and transmits public messages directed at large, heterogeneous and scattered audiences with the aid of one or more machines. Many communication situations will fall in a gray area between machine-assisted and mass communications, especially when considering the Internet and World Wide Web. Characteristics of mass communication include the following:

. source can be a group of individuals who usually act within the predetermined roles
of an organizational setting, or, since the advent of the Internet, one person
can become a mass communicator

. sender usually has little detailed information about particular audiences

. encoding is always a multi-stage process

. channel options are more restricted than interpersonal communication

. mass media channels characterized by the imposition of at least one and usually more
than one machine in the process of sending the message

. messages are public, and the same message is sent to all receivers

. message termination is easiest here

. typically requires multiple decoding

. message flow is generally one-way, from source to receiver

. feedback is usually harder to initiate than in interpersonal communication

. noise can be semantic, environmental, and mechanical

A prime distinction between mass communication and interpersonal and mechanical communication is that audience members are:

. large
. heterogeneous
. geographically dispersed
. largely anonymous to one another
. almost always self-defined

Defining Mass Media

A medium is the channel through which a message travels from source to receiver (“medium” is singular; “media” is plural). Mass media include not only the mechanical devices that transmit messages, but also the institutions that use these devices. A media vehicle is a single component of the mass media, such as a newspaper, radio station, or magazine, web site, video game, television station, etc.

TRADITIONAL MEDIA ORGANIZATIONS


Traditional defining characteristics of mass communicators include the following:

. complex and formal organizations
. multiple gatekeepers
. need large amount of money to operate
. exist to make a profit
. highly competitive

Formal Organizational Structure

Mass media typically have a well-defined organizational structure characterized by specialization, division of labor, and focused areas of responsibility. Communication is generally the product of a bureaucracy, with decisions made on multiple levels, often within highly formalized channels (group decisions and committees, for example)

Many Gatekeepers

A gatekeeper is any person (or group) who has control over what material eventually reaches the public; the more complex the organization, the more gatekeepers will be found.

High Operating Expenses

It often costs millions of dollars to buy and maintain a mass media organization, which is one reason for the current trend towards media consolidation of ownership.

Competition for Profits

Most media organizations in the US exist to make a profit; if they don’t they will soon go out of business. Most profits are usually made by selling audiences to advertisers; hence media organizations compete with one another to attract audiences.



THE INTERNET
AND MASS COMMUNICATION

The Internet created a new channel for machine-assisted and mass communication, and brings the cost of mass communication to a level at which many can afford it. In addition, the personal ability to publish online creates new definitions of what it takes to be a “mass communicator,” many of which are at variance with the traditional defining characteristics of mass communicators. For example:

. Web sites can be produced by a single individual, so there’s little need for large staffs
or formal organizational structure;

. Web sites may bypass gatekeepers; creativity reigns (although there are, conversely, no
safeguards that what is “published” is tasteful, worthwhile, or even accurate);

. Web sites are characterized by low start up and maintenance costs;

. Web sites may or may not exist for profit;

. Competition for audiences, typical of traditional mass media, often doesn’t play a vital
role in individual web sites

The Internet has evolved into both a mass medium (we watch TV, movies, read newspapers, read books online, play video games, etc.) and an interpersonal medium (we go online to communicate with others via Facebook, Twitter, email, etc.).

MODELS FOR STUDYING
MASS COMMUNICATION


The Traditional Mass Communication Model

This one-way model of mass communication is adapted from an early model presented by Wilbur Schramm. In it, communication flows from left to right. According to this traditional model, information (news and entertainment) comes from the environment and is filtered through a mass media organization. The information is decoded, interpreted, and encoded. Messages passing through the gatekeepers are reproduced multiple times and sent through the appropriate channel. Each copy of the message is identical. Audience members are not passive; they decode, interpret, and encode messages themselves. They are socially connected to others, and the messages may be discussed, reinterpreted, and acted upon. Some audience behavior is observed by the media organization and serves as feedback to shape future messages. There is little direct interaction between sources and receivers.


An Internet Mass Communication Model

This model allows several levels of communication:
. one to one (email, Facebook message, IM, etc.)
. one to many (CNN.com, NYtimes.com, gawker.com, huffingtonpost.com, etc.)
. one/few to few (Facebook posts, blog posts, Twitter posts, online discussions groups, etc.-- though, admittedly, Facebook and Twitter posts CAN be one to many, most are one to few)
. many to many (e-Bay, Craigslist.org, etc.)

This is not a left-to-right model; communication flows inward. In this model, content can be provided by organizations and by individuals. There are no organizational gatekeepers. One person decodes, interprets, and encodes the content. The receiver initiates the process, choosing the time and manner of the interaction.

Messages flowing through the model are not identical, nor are they linear. The Internet’s use of hypertext (a means of presenting information that allows you to jump between one source of information or another in whatever order you choose) allows the receiver to access information in any order he or she sees fit. Some writers have characterized the traditional mass communication model as a “push” model (wherein the sender pushes the information to the receiver) whereas the Internet model is a “pull” model (wherein the receiver pulls only the information that he or she wants to receive).

Individuals and organizations are linked in a computer-mediated environment. This makes interaction and feedback easier, and supports totally new forms of interaction.


THE FUTURE OF MASS MEDIA


Segmentation

Mass communication has become less mass and more selective over the past few decades. This process is called fractionalization or segmentation of the mass media audience. Causes include:

. an increase in one-parent families
. an increase in the number of media vehicles from which to choose
. more time spent with media alone, as opposed to with friends or family members
. an increase in demand for special interest content
. commercial organizations are turning from mass-marketing to target-marketing

Despite these changes, the definition of mass communication given earlier still applies. Organizations are still complex, audiences still large. The channels of mass communication remain the same, though more mass media are using those channels to reach more selective audiences. Specialization is evident, but the potential for reaching a mass audience still exists.


Convergence

Convergence means coming together or uniting in a common theme or focus. It has become common in discussions of media trends. There are several levels of convergence.

Corporate convergence. Originally referred to in the 1980s as "synergy," corporate convergence occurs when companies acquire assets that extended the range of their activities. For example, a movie studio might acquire a distribution channel such as cable TV. The biggest example of corporate convergence was the 2001 merger of AOL and Time Warner. It looked like a good idea, but it didn't work, and in 2003 AOL was officially dropped from the company name. The current trend in corporate circles seems more toward divergence than convergence.

Operational convergence. Occurs when owners of several media properties in one market combine their operations. For example, a newspaper, a Web site, and a local cable news channel might operate a joint (converged) news department. Currently, about 50 instances of this kind of convergence are operating. Critics worry whether this will result in fewer independent and diverse forms of journalism.

Device convergence. One mechanism contains the functions of two or more devices. Examples include laptop computers that can play DVDs; smart phones that come equipped with digital video cameras, etc.


Disintermediation

Disintermediation refers to the process whereby access to a product or service is given directly to the consumer, thus eliminating the intermediary, or “middleperson,” who might typically supply the product or service. This phenomenon is particularly evident now on the Internet and on the World Wide Web. Disintermediation is of special concern to traditional media organizations because any large disruption of the distribution process can wreak economic havoc in the traditional distribution and production processes.

Rules of Language

Language is a tool with multiple functions:

  • establish identities
  • form relationships
  • comfort others
  • helps us to make sense of the world
  • primary means of connecting with others
In order for communication to take place via language, those involved must all share "symbols," "referents," and "thoughts."

A symbol might be a written letter/character of the language, a vocal sound, a nonverbal cue, etc.

The referent means that we know what the symbol (or combination of symbols) refers to...

For example, if the symbol is "cat," then we should all share a common referent of a 4-legged, long-tailed animal with long whiskers and short pointy ears (excuse my horrible description of a cat).

That's the referent.

A thought is an abstract idea developed in our minds.

Meaning takes place when we understand the symbols, understand the referent, and understand the thoughts the sender of the message intended.

Altogether, we call this "The Triangle of Meaning."

Different types of communication

inherited communication-- genetic codes tell us what to do
learned communication--  via experience, we learn what to expect

What separates us is "language"-- the ability to use symbols to represent ideas/objects we want to share with others.

Language doesn't imply "words"-- Morse Code, ASCII, sign language, etc.

Language is a game, and like any game, we first have to learn the rules.  Once we do, we quit paying conscious attention to them.

There are five sets of rules:

1. Phonemic rules (sound rules)-- sounds we produce… we produce about 44 different sounds with 26 letters. The smallest unit of sound is called a phoneme. The smallest unit of sound with meaning is called a morpheme. 


2.  Semantic rules (meaning rules)-- meanings for sounds, words, or letters.  

Difficult to learn-- especially for those just learning the language (kids and people learning English)
General Semantics-- field of comm study that deals with getting rid of misunderstandings between  people.


3. Grammar rules/Syntax-- putting meanings together in coherent patterns… If the patterns aren't followed, there is no meaning-- even if all the elements are there.  For example….

I would like a large, chocolate milkshake please.
Please chocolate a I milkshake like large would.

4. Pragmatic/practical rules-- how ordinary people actually "use" language…   Do you know what time it is? ; Is Sarah there?  Can I speak to her? Etc.

            --  Speech Act Theory-- explains the pragmatic rules for accomplishing tasks like requests, commands, promises, questions, compliments…   Kathi, do you want some eggs?"  It's more than just a question, it's an "offer" and the answer "Yes, that sounds great" is not just an answer, it's an acceptance.  "Hey, how's it goin'?" is actually a greeting-- not really a question…

5. Normative rules.

In addition, we must all follow societal norms.

If you violate a language rule, people might politely correct you; if you violate a a societal norm, people will not want to associate with you. 

ESPN is Terrified of Jemele Hill's Honesty on Racism (from NYT):

I’ve watched the N.F.L. on ESPN for more than 20 years in part because I grew up with the kind of father who pretty much refused to talk to me until I showed interest in the game. One Sunday when I was 12, I parked myself on the couch next to him, and because we were watching Brett Favre, I asked him what an interception was. “When you throw it to the other team,” Dad said. That quarterback would go on to set the N.F.L. record for passing interceptions.
On Monday, ESPN issued a two-week suspension to Jemele Hill, a tough, opinionated black woman who anchors “SportsCenter,” because she violated the network’s social-media guidelines. The night before, the Dallas Cowboys’ owner, Jerry Jones, had said that if any of his players were “disrespectful” of the flag, they wouldn’t play. Hill noted on Twitter that this puts his black players in a bind: “If they don’t kneel, some will see them as sellouts.”
Then she remarked that Cowboys fans could boycott the team’s sponsors if they were dissatisfied with Jones’s position, instead of relying on Cowboys players to protest. Hill clarified that she wasn’t calling for Cowboys fans to boycott the N.F.L., but rather that “an unfair burden” has been put on players. (This wasn’t the first time controversy had arisen about one of Hill’s tweets; last month, she called President Trump a white supremacist.)
Photo
Jemele Hill, who was suspended by ESPN on Monday for comments after player protests. CreditAllen Kee/ESPN Images
ESPN’s decision to suspend Hill, whom it pays to express her opinions, suggests that the network might be scared of boycotts and that the Cowboys’ sponsors, as well as the network’s own, are more important than supporting the idea that black people might be people.
Continue reading the main story
Let’s be clear: The N.F.L. players who refuse to stand for the anthem aren’t protesting the flag or the anthem; they’re objecting to the obscenely high number of unarmed black people brutalized and killed by police officers in the United States. When Jerry Jones says that players can’t be “disrespectful,” what he’s really saying is that black people are not supposed to complain that we are routinely killed by the police, even when unarmed. We are supposed to embrace the idea that our lives should not be valued, because floating the opinion that maybe we shouldn’t be killed for no reason might offend advertisers.
It’s also hard to reconcile ESPN’s decision to suspend Jemele Hill for not quite calling for a boycott with the outspokenness that ESPN prizes in anchors who are not black women, who say things much more offensive and only get a slap on the wrist.
Suspending Jemele Hill is the sort of desperate move ESPN undoubtedly hopes might attract more viewers, much like the network’s sudden decision not to allow an Asian-American broadcaster named Robert Lee to call a college-football game last August. ESPN’s subscriber base dropped to 87 million households in September from a high of 100.1 million in 2011, and the network has laid off more than 100 people this year in addition to 300 workers in October 2015.
Even though 51 percent of Americans believe the N.F.L. protests are appropriate, we are apparently supposed to give the network a high-five for suspending an anchor who agrees with us because the network is awkwardly attempting to promote a form of so-called patriotism that would require many of us to decide that our own lives aren’t worth prizing.
It’s been hard to watch the N.F.L. this season. Like a lot of fans, I’m worried the league isn’t sufficiently dedicated to treating concussions and addressing domestic violence. And for me, a black woman, these worries have been compounded by the league’s grab bag of positions on the players’ police brutality protests, from mild support to mild disapproval. A surprisingly high percentage of my willingness to continue to watch the game hangs on whether the league will allow protests.
But Jerry Jones’s comments are the sort that may move the league toward a place where police brutality protests are not allowed, one where African-Americans could be asked to watch a sport that is determined to remind us that our opinions on whether we should be killed while unarmed are not valued. And somehow ESPN is determined to make this situation worse by showing that a black anchor is just as restricted in exercising her free speech rights as the players she covers.
While I realize that neither professional sports leagues nor national television networks are likely to be the forces leading the anti-police-brutality revolution, I am quietly happy whenever anyone in a position of power decides to say something that might stop someone somewhere from killing a person who looks like me. And so thanks to the protesting players, and to Jemele Hill, for speaking out in support of them, even if her network is too cowardly to back her up.

A list of prominent shows/production companies run by POC

Recognizing that the lack of diversity continues to be a problem in the entertainment media industry, it's important to be aware of thos...